Con Todo El Mundo, title. COMING TOMORROW: our new interview with The 1975, talking about their chart-topping album, their crazy year and their plans for 2019. When our Deputy Editor returned from a trip to LA to interview Matty Healy ahead of the release of their third album hailing ‘A Brief Inquiry…’ “the new ‘OK Computer’”, I think my retort was, essentially, the fingers-on-chin emoji. This record is unique. This album deftly defies conventions and delights in shattering expectations. Creating what should certainly be one of the year’s most enduring debuts, five slick-but-cheeky surf dudes arrived in style with collection of playful but considered poolside pop. It was held offline officially starting from 2009. Best pop solo performance. It’s all coated in pounding house beats and the kind of early-noughties R&B bells and whistles The Neptunes reserved for Britney. Surely the first black metal-adjacent record that wouldn’t sound out of place at the Proms, the likes of ‘Canary Yellow’ and ‘Honeycomb’ are all the evidence you’d ever need to prove metal’s worth in the critical arena. JB, The Berkshire don helped to create a genre this year: schmaltzcore, caramel-smooth jazz-pop whose purveyors include Tom Misch and Rex Orange County. The Aussie dance pranksters turned in a ‘90s-influenced big beat bonanza with this perfectly crafted collection of bubblegum bangers. News. “You learn a couple of things when you get to my age” is the opening lyric, and it’s clear: Matty has matured. The following is a list of albums released in 2018. Three years later, their prowess has only grown, ‘Where Wildness Grows’ travelling through cuts that are breezy, urgent, or yearning, but always gorgeous enough to make you a little weak at the knees. New Releases. Community. With J. Cole’s blistering delivery cutting across searing production (that weaves together jazz, trap and SoundCloud rap), ‘KOD’ was a bold and brilliant offering. AT, Virginia’s Natalie Prass aimed to make an indie record that sounded like a lush, big budget pop blockbuster, a goal best realised on mini masterpiece single ‘Short Court Style’, its handclaps and taut production an indication of the musician’s technical wizardry and full-hearted songwriting. JB, After seven years away, Damon Albarn’s animated brainchild returned last year with the dense and sprawling ‘Humanz’. Making ridiculously fun country music incorporating disco beats, octave-hopping vocal manipulation, and plain-talking snapshots of the world around her, Kacey Musgraves is rightly basking in her very own ‘Golden Hour’ thanks to her most recent album. MB, A scattershot, wildly inspired record, the Texan alt-boyband’s fourth studio album arrived in the wake of founding member Ameer Vann’s ejection from the group due to sexual assault allegations. ‘You Will Never Die’ presented a queering of Christianity that was theatrical, soulful, intense, and very, very danceable. Catch Tirzah live at a handful of UK dates and European festivals in 2019 where she’s guaranteed to find more fans. Check out ‘Sorry About The Carpet’ and you’ll see what we’re getting at. MB, What were Idles resisting? Album of the Year 2018? Tim Hecker. Come load up on the filth and the fury of the snarling and gnarly ‘American Guilt’, with a firecracker riff so dirty it would make Jack White run to the shower. Alex Dingley – Beat The Babble [Libertino Records] While it had already seen a release on the other side of the Atlantic, a deal with Libertino Records finally saw Alex Dingley release his third album, Beat The Babble, to a UK audience. In 2018, … ‘Miki Dora’ is perhaps the best encapsulation of McMahon’s approach – a track named after, and chronicling the life of, a celebrated surfer who was also chastised for criminal activity and bigotry, it’s the perfect evidence of ‘Freedom’’s ability to take life’s less polished complexities, and turn them into something stunning. ‘Sincerity is Scary’ has spawned a rush in rabbit hat purchases – as ridiculous as it sounds – which just proves the influence of this band. Best Albums. Creating their most cohesive and accessible album to date, this was an album of stark juxtapositions, probably best exemplified by the song ‘Lord’. See which album was named Album of The Year. Dexterous and surprising, it’s never clear where her tale will steer next; one moment she’s brutally honest, the next she’s cracking jokes. You might have heard of him from his Soundcloud mixtapes and remixes or the fact he snuck into the UK’s Top Ten charts earlier this year with his first studio album. News. TS, No, not that one. TS, Not an artist known for her subtlety, the millennial Kate Bush stripped back the wall of sound with wistful collection, looking back at lost youth with fondness, pushing forward in the process. JB, Not since Yeah Yeah Yeahs burst out of Manhattan in the early 2000s in a blaze of fishnets and glitter has punk rock been as downright fun as this. Sign In. RD, Three years after his last album, the enigmatic rapper returned with a brisk collection of thoughtful and sample-heavy creations.The sweetest moments are when he pays tribute to his mother Cheryl Harris and late father, the poet Keorapetse Kgositsile. RD, “And y’all still thought a bitch couldn’t rap huh?” runs Chicago’s Noname over slinky piano chords on the opening track of her debut album ‘Room 25’. Modernity may have failed us, but The 1975 have upped their game. See the list of GRAMMY Awards Winners & Nominees for the Album Of The Year. JB, The second album from Blackpool’s finest marked a huge step up. Blown. Touting a catchier, Go-Betweeny strain of the space grunge that Adam Granducial and Kurt Vile have been pioneering, ‘Hope Downs’ was a freewheeling delight, like the brakes failing on a truck full of old Lemonheads albums. The album was at its best where the two sounds – old and new – combined into something altogether more harmonious, such as on ‘See How’ and ‘Border Girl.’ EA, Few producers in recent memory have had the immediate cultural impact of SOPHIE. AT, Dev Hynes’ fourth Blood Orange project continued his fine streak of innovation, and ‘Negro Swan’ let us witness its creator at his most candid and intimate. Though ‘Be the Cowboy’ stems from the same aching place, it’s an altogether more playful prospect. ‘Horse B4 Porche’, with brittle percussion and languid bass, demonstrates the record’s (relative) softer side, while the more representative ‘Brazil’ ups the ante with thudding rapid-fire rhythms. Albums Of The Year 2018: 10-1. With a clear – and surprising – love for the likes of Oasis and The Verve, the Californians broadened their sound, the chiming chords of Britpop lending tracks like ‘Keep This Up’ and ‘Upside Down’ a more sunny-side-up disposition than their past wares. HM, Beyoncé raps! – the Blur man hit the studio again in the downtime amid heavy touring to quickly turn around sixth album ‘The Now Now’ just 14 months later. A dark, twisted take on goth-rock bleakness, the youthful punk of their past was here shelved in favour of an altogether more intoxicating sound. Robyn’s always had a rare gift for clashing extreme emotions perfectly, and as heart-wrenching as this record can be, it ends on a note of prevailing hope. A whole album full of anti-gravity easy listening would have been overkill in lesser hands, but it made for an intriguing, endearing twist in the Monkeys’ tale, and who knows what sort of band they’ll be when they come back down to earth… MB. For all of you who will criticise our choice of album of the year – of which I know there will be many – I implore you, give it a try. JB, Like lice from the grimy undercrackers of Fat White Family dropped the next generation of South London gristle rockers. How about an American band singing a song called ‘Total Football’ about actual British football? Yet the airy, amphetamine indie rock of debut album ‘Songs Of Praise’ allowed listeners a (slightly) less slimy passage into the scene, with glistening tracks like ‘Dust On Trial’ and ‘Tasteless’ counteracting the grot rock gore of ‘The Lick’ and the like. From the pacy ‘Give Yourself A Try’ and ‘TooTime’ to a song that starts off sounding like Disney’s Fantasia and drops into the raviest of eyes-closed, head back, sense-tinglers, this record is a chocolate box full of surprises. I’d enjoyed the bangers on ‘I like it when you sleep…’, but something about the band hadn’t totally connected. SC, ‘And Nothing Hurt’ rivalled some of Jason Pierce’s most emotive and touching writing of his career to date. Genres. Aided by Pharrell and Max Martin, Grande’s luscious millennial-Mariah vocals are paired to trap-beats and ‘90s R&B production, while experimental excursions such the Nicki Minaj-assisted ‘The Light Is Coming’ (which samples right-wing anti-Obamacare protests) and closer ‘Get Well Soon’ (tackling her mental health) pay off. Hailing from Nashville and on hiatus from NYU, Allison collaborated with producer Gabe Wax on these ten fragile but fearless guitar tracks, concerned as much with brutally honest self-reflection and identity forming in the age of Instagram as they are with the wonder and cruelty of teenage love. The final piece in a trilogy that consists of 2014’s ‘Venice’ and 2016’s ‘Malibu’, the album confirmed that .Paak, formerly a cult figure, has entered the pantheon of modern hip-hop greats. View More. The 1975 - A Brief Inquiry Into Online Relationships. The Melon Music Awards (Korean: 멜론 뮤직어워드) is a major music awards show that is held annually in South Korea and organized by Kakao M (a Kakao company) through its online music store, Melon.. For fans of their earlier work, there was still plenty of experimentation and innovation with everything from scratchy electronica to dynamic spoken word. Here’s to not overthinking. User Ratings. Best Albums. Featuring album reviews, ratings, charts, year end lists and more. The White Stripes. SM, From dank New York basements to breezy Laurel Canyon air, Sunflower Bean have made the same leap as many an underground rock band seeking wider appeal – they’ve gone full Fleetwood. re: Album of the Year 2018? User Lists. Drift's Albums of the Year 2018. Exclaim! From the hedonistic “sex in a swimming pool” that underpins the impending doom of ‘Screwed’ to those infamous ‘PYNK’ vagina trousers and the free-wheeling celebration that is ‘Make Me Feel’ Monae doesn’t put a foot wrong. "Album of the Year (Freestyle)", 2018 song by American rapper J. Cole; This disambiguation page lists articles associated with the title Album of the Year. Like the brothers Gallagher had they grown up in endless summer, ‘Proper Dose’ is proof that pop-punk can grow up gracefully. It took me a couple of listens, as every great album should, to fully appreciate ‘A Brief Inquiry…’, but it soon became apparent that Healy and drummer George Daniel have encapsulated the millennial condition through a record that is as diverse as it is a single, unified body of work. List Aggregate. Even when she confesses her vulnerability (the buoyant ‘Feel Like A Fool’), Kali Uchis resides in a league of her own. Tracks like ‘Catch It’ wouldn’t sound out of place on a Nick Cave record, while the Sky Ferreira-featuring ‘Pain Killer’ shows hidden depths. RD, A murky, sometimes surreal meander through post-punk, roughed-up country twangs, doomy, dark miserabilia, Goat Girl’s debut album pegged them as far more than one-trick ponies, heralding the arrival of a truly unique and whip-smart new bunch. Her face when she learned about her recent Grammy nomination for album of the year said it all – it’s been a long time coming, and in ‘Django Jane’ Monae spells out the historic erasure of black artists at major award ceremonies; “runnin’ down Grammys with the family” is something of a career ambition. The world's defining voice in music and pop culture since 1952. Here was White at his most experimental, embracing space-rock, wonky-ass funk (‘Ice Station Zebra), Velvet Underground-style tone poems (‘Abulia And Akrasia’) and gigantic, Queen-size rock anthems (‘Connected By Love’). So after immense discussion, plenty of arguments and a handful of temper tantrums, we here at NME have whittled down 2018’s best releases into a list of 100 essential records. The award ceremony was first held online from 2005 to 2008. TC, “The chicken thinks in mysterious ways,” David Byrne informs us on ‘Every Day Is A Miracle’, and you can’t argue with that. Quirks? See which albums are sitting at the top of this year's charts. If you like that, try on the sky-kissing psych-rock of ‘Major League Chemicals’. AT, Damon Albarn gets the band back together a decade after their debut, this time turning their attention to national identity and, by extension, Brexit, obviously. And of those albums, Kanye’s own solo record is representative of the majority – it’s a patchy album, hastily put together, short (seven tracks) and contains some troubling lyrics (not least those on ‘I Thought About Killing You’). EA, Far from a high maintenance parent, Soccer Mommy is actually 21 year-old singer-songwriter Sophie Allison. ... Record of the year. On fire. Best rap album. ‘Love It If We Made It’ is an album highlight – and has been a very strong contender for our track of the year, list coming on Monday, so stay tuned – made even greater by the fact that fans have been shouting ‘FUCKING IN A CAR’ at each other for months. Lists. A brilliant, expansive offering of contemporary jazz, it’s a compositional masterclass by the musical virtuoso. Safe ballads were out, and fidgety art-pop and daring songwriting hinted that Rae Morris’ future is looking remarkably rosy. AT, Driven by romance, pomp-pop abandon and an old-school fighting spirit against the digital age’s hiss of zeros and ones, the Manics’ thirteenth album couldn’t be more perfectly married to the Franz Von Stillfried-Ratenicz photograph of a last Samurai; like him, the Manics are survivors. What’s more, it somewhat unexpectedly catapulted them into arenas, with a recent Alexandra Palace appearance proving that there’s a big audience for their bile-filed wares. EH, You won’t have heard another rock record like this. What you got. Albums of the year: 2018. leave a comment » Presented here is a list of our favourite (ten) albums from 2018. JB, Arguably Kanye’s best team-up since ‘Watch The Throne’, ‘Kids See Ghosts’ saw the prolific 41-year-old partner up with regular collaborator Kid Cudi to craft a condensed and focused record which oozed plenty of vibrancy and vulnerability. Highs include the title track, with Coby Sey, the somber sounds of ‘Go Now’ and opener ‘Fine Again’. ... 2018. Kanye, it’s the way you tell ’em. The next ten were hotly contested with the narrowest of margins, and the rest got the same number of … Each writer’s rankings have been compiled to create Scene’s official best albums list, which wraps up this week of end-of-year … The result is one of the most ambitious musical crossovers in hip-hop history, only heightened by Tom Scott's fantastic abilities as a storyteller and rapper. The record’s 16 tracks include some prominent guests (Puff Daddy, A$AP Rocky, Steve Lacy), autobiographical musing (“16-year-old boy / Confused and knowing that he’s different he wants to give in / After school, sucker-punched down / Down and out,” he devastatingly recalls on opener ‘Orlando’) and what NME’s five-star review called a “piecemeal approach [to] music making: [Hynes] cherry-picks jazz piano, unstructured guitar and collaborators… to create nourishing layers of melancholy R&B pop.” A stunning and revealing work. Whether she’s channelling country (the finger-picked ditty ‘Let’s Find An Out’) or veering into expansive alt-rock (the reflective weepie ‘Deep Sea’), it’s clear that Jordan is a young musician with a unique voice, her continued growth a journey that her fans will accompany her on. Country album. Best dance recording. Anoyo. Politically charged and deliciously playful at the same time ‘Dirty Computer’ takes the idea of a corrupted hard drive and runs with it. And this celebration of their marriage, the third part in the trilogy comprised of her album ‘Lemonade’ and his ‘4:44’, is both personal and political; boasts of their wealth are combined with observations on racial inequality, an implicit comment on their triumph against the odds. While these songs remain untethered to any project, their more jazz-focused direction served as a precursor to what Busdriver would go on to do with Electricity is on our Side . Turning her sorrow into glass, ‘Honey’ is an strangely euphoric, gentle giant of an album that attempts to make sense of the fall-out. … “With them pretty ass twins, you look like Beyoncé,” she says, rapping about her breasts – what else – on ‘Money Bags’. TC, Her compassionate, dignified handling of the aftermath of the Manchester bombing elevated Ariana Grande from uber-stanned pop star to deity status here in the UK. More please. A lustrous evolution. Bring on the Blackouts. Pushing melody to the front like never before, frontman and drummer Isaac Holman even (gasp!) The Colombian-American musician’s debut album dances between R&B, disco, retro-soul and even a little bossa nova, sounding like the party playlist you’d knock together if you were, like, the greatest party host ever. Best-produced album and best lyrically rapped album. - In a year that has seen the most popular rap sink to all new lows in boorish behavior, lack of meaningful message, and assembly line copy Joy As An Act Of Resistance, title. From the opening coos of ‘Let’s Make Out’ to the hammered-out closing chords and screams of the excellently sweary ‘FUU’, ‘Dream Wife‘ is a record that revels in spontaneity and the sheer magic of three best friends getting together in a studio and having the time of their lives. Strap yourselves in: it’s a wild ride. Critic Lists. Sounds like Jamie Cullum, but cool, you know? Everything Is Recorded by Richard Russell, title. The 1975 are a famously divisive band – you only have to read the comments on NME’s (frequent) social posts to see that. With a title that’s Spanish for ‘Holy Wood’, the twin themes are religion (tracks include ‘Preacher’ and ‘Hallelujah’) and sex. On the other, there’s that White House visit to contend with. JB, Troye Sivan grew from singing YouTuber to bona fide pop behemoth with this second album, and its tender unpacking of the queer coming of age experience. TS, Toronto alt-pop outlier Meg Remy made a decidedly 2018 protest album with this woozy, jazzy assault on male dominance. Such contrasts were frequent on an album that very much felt like a band caught between their two selves of old and new. Rock. Here you may vote for the most prestigious and widely sought of the awards -- Album of the Year, which goes to the best power metal album of the year. Lists. Read album reviews and view ratings for your favorite albums. RD, The late breakout star of 2018, flamenco-pop singer Rosalía brought the syncopated, stomping drama of her native Spain out of the margins and into the spotlight in a burst of smart and imaginative experimentation. TS, Standout ‘You Don’t Walk Away From Love’ sounds like an overly enamoured Status Quo – a good thing – and the title track boasts a gospel choir belting out its titular refrain. The sound is familiar – it’s Elton John after he’s popped a pill and read Infinite Jest in one sitting – but weepies such as ‘Disappointing Diamonds Are The Rarest Of Them All’ and ‘The Palace’ suggested the God of Love was beginning to lose faith. RD. TS, The undersung grime hero returned with an un-showy album that, in tackling racial discrimination and paying tribute to London, his hometown, assured fans of his staying power. MB, If you know, you know. MC5, Pavement, Talking Heads, Squeeze, Neutral Milk Hotel – the record came across like a quick-change act of impeccable alt-rock references, yet was unmistakably Parquet, for its erratic/inspired melodic quirks alone. Modernity may have failed us, but The 1975 have upped their game. New Releases. On his damn fine debut album, Maltese crafted near-perfect piano pop with whip-smart lyrics (“Some people think the Earth is flat / But if it were / How come I don’t see you anywhere?”) and the occasional boogie-woogie flourish (we heard Jools Holland smashed up his Steinway in a jealous rage when he heard the funky final 30 seconds of ‘Guilty’). MB, British producer Jon Hopkins has fairly described this record’s heavy hitting 10-minute centrepiece ‘Everything Connected’ a “massive techno bastard” (its thumping mid-section will squeeze your skull with mind-melding effect) but there are plentiful moments of quiet introspection (the ambient ‘COSM’) and joyous release (the chilled coda of ‘Luminous Beings’) to indulge in too. You’ll be ashamed to tell anyone how much you love it. © 2020 NME is a member of the media division of BandLab Technologies. Bold and brilliant. Best new artist. Jan. 28, 2018 The 60th annual Grammy Awards were on Sunday. SM, The War On Drugs finally reached Australia… or so it sounded from Rolling Blackouts Coastal fever’s debut album. Extremely well! A hefty, distortion-drenched tangle, the Japanese-American musician held up the extremes of heady romance and loneliness against one another, unpacking questions of identity, contentment, and the conventions of indie rock. Muse’s ‘Simulation Theory’ (band as ’80s cult throwbacks), Lump (band as fluffy bigfoot) and Arctic Monkeys’ ‘Tranquility Base…’, in which Turner and co played the house Elvis impersonators at a lunar cocktail lounge like a Daily Sport headline come to life. JB, The Estonian rapper proved there’s more to him than outlandish visuals (his ‘Little Molly’ video sees his face creepily super-imposed onto a little girl’s body) with this maximalist record. Quieter and more melancholy than her live gigs, at which she shreds grunge vocals, this is a record that earns its title: the hooks and swooning and winsome, the lopsided guitar melodies lush indeed. 2018 looked like the year where BROCKHAMPTON would make it big, and with two albums slated for release, it appeared as if 2018 would be even bigger than 2017. Awaken, My Love! A heartbreaking reminder of how much more Mac Miller had to give. Imagine if The Bunnymen ended up as roadkill, crushed beneath the wheels of Idles’ tourbus. Each writer picks their personal 20 best albums, and 2018 had no shortage of albums to choose from. Shame , artist. Not one listen, not skipping tracks but two or three runs, in full. ABC News. Healy and drummer George Daniel have encapsulated the millennial condition through a record that is as diverse as it is a single, unified body of work. The Brummie lads’ goal was noble: to change the world with optimism and catchy indie songs. ‘Be My Mistake’ moves me to tears. Mind. There are cameos from established artists – Jorja Smith and Tyler, the Creator – but Uchis always emerges as head honcho; when her falsetto croon glides over rippling sound effects on ‘Dead To Me’, it’s clear we’re in the presence of tomorrow’s pop royalty. JB, This posthumous release from the late rapper proved a fitting epitaph to his far-ranging approach to music – a trap beat here, a grunge guitar riff there – threaded through with vulnerable, honest lyrics. A throwing-down-of-the gauntlet of a record, it was a reminder of his greatness – an honest, pissed-off return to form. Watch videos, view photos more at GRAMMY.com. Everything is Recorded , artist. A Rough Trade Albums of the Year vinyl bundle + download our digital zine; Albums of the Year 2018 . As album highlight ‘Bugs’ sides the band with “another let down generation” lambasted with “inaccurate information”, Slaves have quickly become an essential voice. Yet the album centres on the positives (its understandably-ditched working title was ‘The Best Year Of Our Lives’), encompassing global success, the long road travelled to achieve it and the group’s determination to retain hold of the quality that made them massive in the first place – their honesty. From the pacy ‘Give Yourself A Try’ and ‘TooTime’ to a song that starts off sounding like Disney’s, ‘Love It If We Made It’ is an album highlight – and has been a very strong contender for our track of the year, list coming on Monday, so stay tuned – made even greater by the fact that fans have been shouting ‘. IDLES , artist. See the list of GRAMMY Awards Winners & Nominees for the Album Of The Year. Beat bonanza with this woozy, jazzy assault on male dominance the to... 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